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2017-2019/Theatre + TV/Various Locations

The Believers are but Brothers

Co-directed by Javaad Alipoor and Kirsty Housley. Co-produced with Ovalhouse (now Brixton House).

We live in a time where old orders are collapsing.

From the post-colonial nation states of the Middle East, to the EU and the American election.
Through it all, tech savvy and bloodthirsty groups like ISIS run through European drawn border lines.
Amidst this, a generation of young men, find themselves burning with resentment.
This crisis of masculinity leads them on a journey into an online world of fantasy, violence and reality.

Show info

An electronic maze of fantasists, meme culture, 4chan, the alt-right and ISIS, The Believers are but Brothers explores the smoke and mirrors the world of online extremism, anonymity and hate speech, through multi-media performance.

The Believers are but Brothers opened at Edinburgh Festival in 2017 and subsequently toured extensively in the UK, Sweden, Canada, Australia and the USA until 2019. In 2020, the show was revived for HOME for two socially distanced performances and two livestreams, in partnership with HOME, The Traverse Theatre, AMATA at Falmouth University, Oxford Playhouse and Leicester University. The livestreams formed the focal point of an online residency at Virginia Tech in the USA. That same year, The Believers are but Brothers was livestreamed at CPH:DOX Festival in Copenhagen and Electric Dreams in Adelaide, introducing the interactive use of a live Whatsapp feed for audiences.

Watch the full show of The Believers are but Brothers on Digital Theatre +

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The team

Writer, Performer & Co-DirectorJavaad Alipoor
Co-DirectorKirsty Housley
ProducerLuke Emery
Associate Director & DramaturgNatalie Diddams
DramaturgChris Thorpe
Assistant DirectorHeather Knudtsen
Sound DesignerSimon McCorry
Video DesignerJack Offord/Limbic Cinema
Stage and Lighting DesignerBen Pacey
Production ManagerLouise Gregory

Partners

The Believers are but Brothers is developed with support from Arts Council England, HOME, Ovalhouse (now Brixton House), TRANSFORM, Northern Stage and The National Theatre Studio.

Image credit: The Other Richard

“An extraordinary, teched up show.”

The New York Times2018.USA
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